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  • You might pass Eleanor Harding in the street without notice, but you could hardly pass an evening with her and not lose your heart.' John Bold has lost his heart to Eleanor Harding but he is a political radical who has launched a campaign against the management of the charity of which her father is the Warden. How can this tangle be resolved? In the novel which is Trollope's first acknowledged masterpiece, the emotional drama is staged against the background of two major contemporary social issues: the inappropriate use of charitable funds and the irresponsible exercise of the power of the press. A witty love story, in the Jane Austen tradition, this is also an unusually subtle example of 'Condition of England' fiction, combining its charming portrayal of life in an English cathedral close with a serious engagement in larger social and political issues.

    The Warden is the first of the six books which form Trollope's Barsetshire series of novels. This edition also includes 'The Two Heroines of Plumplington' - the short story which Trollope added, just before his death, to provide a final episode in the annals of Barsetshire.

    ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Three extraordinary characters caught in a web of fatal obsession are at the centre of Hugo's novel. The grotesque hunchback Quasimodo, bell-ringer of Notre-Dame, owes his life to the austere archdeacon, Claude Frollo, who in turn is bound by a hopeless passion to the gypsy dancer Esmeralda. She, meanwhile, is bewitched by a handsome, empty-headed officer, but by an unthinking act of kindness wins Quasimodo's selfless devotion. Behind the central figures moves a pageant of picturesque characters, ranging from the cruel, superstitious king, Louis XI, to the underworld of beggars and petty criminals. These disreputable truands' night-time assault on the cathedral is one of the most spectacular set-pieces of Romantic literature.

    Hugo vividly depicts medieval Paris, where all life is dominated by the massive cathedral. His passionate enthusiasm for Gothic architecture is set within the context of an epic view of mankind's history, to which he attaches even more importance than to the novel's compelling story. Alban Krailsheimer's new translation is a fresh approach to this monumental classic by France's most celebrated Romantic.

  • It is in every way worthy of what one great woman should have written of another.' Patrick Brontë Elizabeth Gaskell's The Life of Charlotte Brontë (1857) is a pioneering biography of one great Victorian woman novelist by another.

    Gaskell was a friend of Charlotte Brontë, and, having been invited to write the offical life, determined both to tell the truth and to honour her friend. She contacted those who had known Charlotte and travelled extensively in England and Belgium to gather material. She wrote from a vivid accumulation of letters, interviews, and observation, establishing the details of Charlotte's life and recreating her background. Through an often difficult and demanding process, Gaskell created a vital sense of a life hidden from the world.

    This edition is based on the Third Edition of 1857, revised by Gaskell. It has been collated with the manuscript, and the previous two editions, as well as with Charlotte Bront"'e's letters, and thus offers fuller information about the process of composition than any previous edition.

    ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Anglais Germinal

    &Eacute Mile Zola

    Zola's masterpiece of working life, Germinal (1885), exposes the inhuman conditions of miners in northern France in the 1860s. By Zola's death in 1902 it had come to symbolise the call for freedom from oppression so forcefully that the crowd which gathered at his State funeral chanted 'Germinal! Germinal!'.
    The central figure, Etienne Lantier, is an outsider who enters the community and eventually leads his fellow-miners in a strike protesting against pay-cuts - a strike which becomes a losing battle against starvation, repression, and sabotage. Yet despite all the violence and disillusion which rock the mining community to its foundations, Lantier retains his belief in the ultimate germination of a new society, leading to a better world.
    Germinal is a dramatic novel of working life and everyday relationships, but it is also a complex novel of ideas, given fresh vigour and power in this new translation.
    ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Yes, what is Dionysian? - This book provides an answer - "a man who knows" speaks in it, the initiate and disciple of his god.' The Birth of Tragedy (1872) is a book about the origins of Greek tragedy and its relevance to the German culture of its time. For Nietzsche, Greek tragedy is the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche undertakes a critique of the complacent rationalism of late nineteenth-century German culture and makes an impassioned plea for the regenerative potential of the music of Wagner. In its wide-ranging discussion of the nature of art, science and religion, Nietzsche's argument raises important questions about the problematic nature of cultural origins which are still of concern today.

    ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Anglais Anna Karenina

    Tolstoy Leo

    In 1872 the mistress of a neighbouring landowner threw herself under a train at a station near Tolstoy's home. This gave Tolstoy the starting point he needed for composing what many believe to be the greatest novel ever written.

    In writing Anna Karenina he moved away from the vast historical sweep of War and Peace to tell, with extraordinary understanding, the story of an aristocratic woman who brings ruin on herself. Anna's tragedy is interwoven with not only the courtship and marriage of Kitty and Levin but also the lives of many other characters. Rich in incident, powerful in characterization, the novel also expresses Tolstoy's own moral vision. `The correct way of putting the question is the artist's duty', Chekhov once insisted, and Anna Karenina was the work he chose to make his point. It solves no problem, but it is deeply satisfying because all the questions are put correctly.
    ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Anglais Why Evolution is True

    Coyne Jerry A

    For all the discussion in the media about creationism and 'Intelligent Design', virtually nothing has been said about the evidence in question - the evidence for evolution by natural selection.

    Yet, as this succinct and important book shows, that evidence is vast, varied, and magnificent, and drawn from many disparate fields of science. The very latest research is uncovering a stream of evidence revealing evolution in action - from the actual observation of a species splitting into two, to new fossil discoveries, to the deciphering of the evidence stored in our genome. Why Evolution is True weaves together the many threads of modern work in genetics, palaeontology, geology, molecular biology, anatomy, and development to demonstrate the 'indelible stamp' of the processes first proposed by Darwin. It is a crisp, lucid, and accessible statement that will leave no one with an open mind in any doubt about the truth of evolution.

  • Harvey Cheyne is the over-indulged son of a millionaire. When he falls overboard from an ocean liner he is rescued by a Portuguese fisherman and, initially against his will, joins the crew of the We're Here for a summer.

    Through the medium of an exciting adventure story, Captains Courageous (1897) deals with a boy who like Mowgli in The Jungle Book, is thrown into an entirely alien environment. The superstitious, magical world of the sea and the tough, orderly, physical world of the boat form a backdrop to Harvey's regeneration. Kipling describes the fascination skills of the schooner fishermen who would soon be made redundant by the twentieth century, and makes the ship function as a convincing model for a society engaged in a difficult and dangerous task.

    The introduction to this edition examines its place among other maritime novels and among Kipling's own work, and explanatory notes clarify the seafaring terms and historical and geographical references.
    ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • I have heard men say, that seeing is believing; but I should say that feeling is believing.' Anna Sewell's famous 'Autobiography of a Horse, published in 1877, is one of the bestselling novels in English. It was written not for children, but to expose and prevent cruelty to horses, and is a classic of Victorian literature that continues to captivate readers young and old. Black Beauty's moving story recounts his idyllic colthood and his experiences at the hands of a variety of owners, good and bad. Describing his life as a horse in Victorian England, he tells of his equine companions and human carers, and of the unthinking brutality to which horses were often subjected. A sympathetic hero who faces danger and excitement, Black Beauty never wavers in his principles, and the powerful lessons he teaches influenced animal welfare in England and America.

    This edition restores the original 1877 text and explores the multiple ways in which the novel has been read: as accessible horse-care manual, protest novel, feminist text, autobiography, slave narrative, and classic animal story.

    ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • The Water-Babies (1863) is one of the strangest and most powerful children's books ever published. Written by an Anglican clergyman with an insatiable love of science, the story combines an uplifting moral about redemption with a crash course in evolutionary theory, and has an imaginative exuberance equalled only by Lewis Carroll.

    Young Tom is a chimney-sweeper's boy who one day falls into a river and drowns, only to be transformed into a water-baby. Through his encounters with friendly fish, curious lobsters, and characters such as Mrs Doasyouwouldbedoneby, he sloughs off his selfish nature and earns his just reward. Tom's comic adventures are constantly interrupted by Kingsley's sideswipes at contemporary issues such as child labour and the British education system, and they offer a rich satiric take on the great scientific debates of the day. The story's linguistic and narrative oddities make it an unclassifiable fantasy that is both a naturalist's handbook and an aquatic Pilgrim's Progress, and its vibrant symbolism also reveals some of Kingsley's more private obsessions regarding cleanliness and sanitation reform.

    This new edition reprints the original complete text and illustrations, and includes a lively introduction and notes that reveal the full richness of this bizarre but compelling fairy tale.

  • Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo ' So begins one of the most significant literary works of the twentieth century, and one of the most innovative. Its originality shocked contemporary readers on its publication in 1916 who found its treating of the minutiae of daily life indecorous, and its central character unappealing. Was it art or was it filth?

    The novel charts the intellectual, moral, and sexual development of Stephen Dedalus, from his childhood listening to his father's stories through his schooldays and adolescence to the brink of adulthood and independence, and his awakening as an artist. Growing up in a Catholic family in Dublin in the final years of the nineteenth century, Stephen's consciousness is forged by Irish history and politics, by Catholicism and culture, language and art. Stephen's story mirrors that of Joyce himself, and the novel is both startlingly realistic and brilliantly crafted.

    For this edition Jeri Johnson, editor of the acclaimed Ulysses 1922 text, has written an introduction and notes which together provide a comprehensive and illuminating appreciation of Joyce's artistry.

    ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Napoleon: The End of Glory tells the story of the dramatic two years that led to Napoleon's abdication in April 1814. Though crucial to European history, they remain strangely neglected, lying between the two much better-known landmarks of the retreat from Moscow and the battle of Waterloo. Yet this short period saw both Napoleon's loss of his European empire, and of his control over France itself. In 1813 the massive battle of Leipzig - the bloodiest in modern history before the first day of the Somme - forced his armies back to the Rhine. The next year, after a brilliant campaign against overwhelming odds, Napoleon was forced to abdicate and exiled to Elba. He regained his throne the following year, for just a hundred days, in a doomed adventure whose defeat at Waterloo was predictable.

    The most fascinating - and least-known - aspect of these years is that at several key points Napoleon's enemies offered him peace terms that would have allowed him to keep his throne, if not his empire, a policy inspired by the brilliant and devious Austrian foreign minister Metternich. Napoleon: The End of Glory sheds fascinating new light on Napoleon, Metternich, and many other key figures and events in this dramatic period of European history, drawing on previously unused archives in France, Austria, and the Czech Republic. Through these it seeks to answer the most important question of all - why, instead of accepting a compromise, Napoleon chose to gamble on total victory at the risk of utter defeat?

  • Mark Jago presents a new account of meaningful thought, and how it is meaningful to think about the impossible. He gives a detailed analysis of the concept of hyperintensionality, whereby logically equivalent contents may be distinct, and develops an original theory in terms of possible and impossible worlds.

  • For the past twenty years there has been a virtual consensus in philosophy that there is a special link between fiction and the imagination. In particular, fiction has been defined in terms of the imagination: what it is for something to be fictional is that there is some requirement that a reader imagine it. Derek Matravers argues that this rests on a mistake; the proffered definitions of 'the imagination' do not link it with fiction but with representations more generally. In place of the flawed consensus, he offers an account of what it is to read, listen to, or watch a narrative whether that narrative is fictional or non-fictional. The view that emerges, which draws extensively on work in psychology, downgrades the divide between fiction and non-fiction and largely dispenses with the imagination. In the process, he casts new light on a succession of issues: on the 'paradox of fiction', on the issue of fictional narrators, on the problem of 'imaginative resistance', and on the nature of our engagement with film.

  • Relax: no one understands technical mathematics without lengthy training but we all have an intuitive grasp of the ideas behind the symbols. This book is designed to showcase the beauty of mathematics - including images inspired by mathematical problems - together with its unreasonable effectiveness and applicability, without frying your brain.

  • The rich variety of the English vocabulary reflects the vast number of words it has taken from other languages. These range from Latin, Greek, Scandinavian, Celtic, French, Italian, Spanish, and Russian to, among others, Hebrew, Maori, Malay, Chinese, Hindi, Japanese, andYiddish. Philip Durkin's full and accessible history reveals how, when, and why. He shows how to discover the origins of loanwords, when and why they were adopted, and what happens to them once they have been. The long documented history of English includes contact with languages in a variety of contexts, including: the dissemination of Christian culture in Latin in Anglo-Saxon England, and the interactions of French, Latin, Scandinavian, Celtic, and English during the Middle Ages; exposure to languages throughout the world during the colonial era; and the effects of using English as an international language of science. Philip Durkin describes these and other historical inputs, introducing the approaches each requires, from the comparative method for the earliest period to documentary and corpus research in the modern. The discussion is illustrated at every point with examples taken from a variety of different sources. The framework Dr Durkin develops can be used to explore lexical borrowing in any language.

    This outstanding book is for everyone interested in English etymology and in loanwords more generally. It will appeal to a wide general public and at the same time offers a valuable reference for scholars and students of the history of English.

  • This book provides a rounded biography of Franz (later Sir Francis) Simon, his early life in Germany, his move to Oxford in 1933, and his experimental contributions to low temperature physics approximating absolute zero. After 1939 he switched his research to nuclear physics, and is credited with solving the problem of uranium isotope separation by gaseous diffusion for the British nuclear programme Tube Alloys.

    The volume is distinctive for its inclusion of source materials not available to previous researchers, such as Simon's diary and his correspondence with his wife, and for a fresh, well-informed insider voice on the five-power nuclear rivalry of the war years.

    The work also draws on a relatively mature nuclear literature to attempt a comparison and evaluation of the five nuclear rivals in wider political and military context, and to identify the factors, or groups of factors, that can explain the results.

  • 2013 sees the centenary of Jaspers' foundation of psychopathology as a science in its own right.

    In 1913 Karl Jaspers published his psychiatric opus magnum - the Allgemeine Psychopathologie (General Psychopathology). Jaspers was working at a time much like our own - with rapid expansion in the neurosciences, and responding to the philosophical challenges that this raised. The idea inspiring his book was very simple: to bring order into the chaos of abnormal psychic phenomena by rigorous description, definition and classification, and to empower psychiatry with a valid and reliable method to assess and make sense of abnormal human subjectivity.

    After almost one century, many of the concepts challenged by Jaspers are still at issue, and Jaspers' investigation is even now the ground for analyses and discussions. With a new edition of the Diagnostic and Statistical Manual (DSM) imminent, many of the issues concerning methodology and diagnosis are still the subject of much discussion and debate. This volume brings together leading psychiatrists and philosophers to discuss and evaluate the impact of this volume, its relevance today, and the legacy it left.

    "Jaspers' General Psychopathology is not an easy text to read. Especially nowadays, in the Internet era, it may appear in several parts obscure, convoluted, or repetitive. This is why the present volume has the potential to be not only attractive to scholars, but also extremely useful for young psychiatrists and busy clinicians. It may represent for them a 'guide' to the reading of that ponderous text, helping them to extract the key messages that are likely to resonate with, and at the same time enrich, their clinical practice and theoretical reflection." - From the Introduction by Mario Maj

  • This is the story of the intellectual and social life of a community, and of its interactions with the wider world. For eight centuries mathematics has been researched and studied at Oxford, and the subject and its teaching have undergone profound changes during that time. This highly readable and beautifully illustrated book reveals the richness and influence of Oxford's mathematical tradition and the fascinating characters that helped to shape it.

    The story begins with the founding of the University of Oxford and the establishing of the medieval curriculum, in which mathematics had an important role. The Black Death, the advent of printing, the Civil War, and the Newtonian revolution all had a great influence on the development of mathematics at Oxford. So too did many well-known figures: Roger Bacon, Henry Savile, Robert Hooke, Christopher Wren, Edmond Halley, Florence Nightingale, Charles Dodgson (Lewis Carroll), and G. H. Hardy, to name but a few. Later chapters bring us to the 20th century, with some entertaining reminiscences by Sir Michael Atiyah of the thirty years he spent as an Oxford mathematician.

    In this second edition the story is brought right up to the opening of the new Mathematical Institute in 2013 with a foreword from Marcus du Sautoy and recent developments from Peter M. Neumann.

  • Out of all the human senses, touch is the one that is most often unappreciated, and undervalued. Yet, the surface of the human body, the skin, is actually one huge sheet of tactile receptors. It provides us with the means to connect with our surroundings. Despite the important role that vision plays in our everyday lives, it is the skin that constitutes both the oldest, and by far the largest of our sense organs. The skin protects our body from the external world and, at the same time, informs us about what occurs on its surface.

    In Touch With The Future explores the science of touch, bringing together the latest findings from cognitive neuroscience about the processing of tactile information in humans. The book provides a comprehensive overview of scientific knowledge regarding themes such as tactile memory, tactile awareness (consciousness), tactile attention, the role of touch in interpersonal and sexual interactions, and the neurological substrates of touch. It highlights the many ways in which our growing understanding of the world of touch can, and in some cases already are, being applied in the real world in everything from the development of virtual reality (VR) environments, tablet PCs, mobile phones, and even teledildonics - the ultimate frontier in terms of adult entertainment.

    In addition, the book shows how the cognitive neuroscience approach to the study of touch can be applied to help improve the design of many real-world applications/products as well as to many of our everyday experiences, such as those related to the appreciation of food, marketing, packaging design, the development of enhanced sensory substitution systems, art, and man-machine interfaces. Crucially, the authors makes a convincing argument for the view that one cannot really understand touch, especially not in a real-world context, without placing it in a multisensory context. That is, the senses interact to influence tactile perception in everything - from changing the feel of a surface or product by changing the sound it makes or the fragrance it has.

    For students and researchers in the brain sciences, this book presents a valuable and fascinating exploration into one of our least understood senses

  • Anglais Meaning in Life

    Thaddeus Metz

    What makes a person's life meaningful? Thaddeus Metz offers a new answer to an ancient question which has recently returned to the philosophical agenda. He proceeds by examining what, if anything, all the conditions that make a life meaningful have in common. The outcome of this process is a philosophical theory of meaning in life. He starts by evaluating existing theories in terms of the classic triad of the good, the true, and the beautiful. He considers whether meaning in life might be about such principles as fulfilling God's purpose, obtaining reward in an afterlife for having been virtuous, being attracted to what merits attraction, leaving the world a better place, connecting to organic unity, or transcending oneself by connecting to what is extensive. He argues that no extant principle satisfactorily accounts for the three-fold significance of morality, enquiry, and creativity, and that the most promising theory is a fresh one according to which meaning in life is a matter of intelligence contoured toward fundamental conditions of human existence.

  • Anglais Equality and Opportunity

    Shlomi Segall

    Egalitarians have traditionally been suspicious of equality of opportunity. But the past twenty five years or so have seen a sea-change in egalitarian thinking about that concept. 'Luck egalitarians' such as G. A. Cohen, Richard Arneson, and John Roemer have paved a new way of thinking about equality of opportunity, and infused it with radical egalitarian content. In this book, Shlomi Segall brings together these developments in egalitarian theory and offers a comprehensive account of 'radical equality of opportunity'.
    Radical equality of opportunity (EOp) differs from more traditional conceptions on several dimensions. Most notably, while other accounts of equality of opportunity strive to neutralize legal and/or socio-economic obstacles to one's opportunity-set the radical account seeks to remove also natural ones. Radical EOp, then, aims at neutralizing all obstacles that lie outside individuals' control. This has far-reaching implications, and the book is devoted to exploring and defending them.
    The book touches on four main themes. First, it locates the ideal of radical EOp within egalitarian distributive justice. Segall advances there three claims in particular: that we ought to be concerned with equality in individual holdings (rather than merely social relations); that we ought to be bothered, as egalitarians, with unequal outcomes, and never equal ones; and that we ought to be concerned with disadvantages the absolute (rather than relative) badness of which, the agent could not have controlled. Second, the book applies the concept of radical equality of opportunity to office and hiring. It demonstrates that radical EOp yields an attractive account both with regard to justice in the allocation of jobs on the one hand, and discrimination, on the other. Third, the book offers an account of radical EOp in education and upbringing. Segall tries to defend there the rather radical implications of the account, namely that it may hold children responsible for their choices, and that it places quite demanding requirements on parents. Finally, the book develops an account of radical equality of opportunity for health, to rival Norman Daniels's Rawlsian account. The proposed account is distinguished in the parity that it creates between social and natural causes of ill health.

  • Graham Priest presents an original exploration of philosophical questions concerning the one and the many. He covers a wide range of issues in metaphysics--including unity, identity, grounding, mereology, universals, being, intentionality, and nothingness--and deploys the techniques of paraconsistent logic in order to offer a radically new treatment of unity. Priest brings together traditions of Western and Asian thought that are usually kept separate in academic philosophy: he draws on ideas from Plato, Heidegger, and Nagarjuna, among other philosophers.

  • Derk Pereboom articulates and defends an original, forward-looking conception of moral responsibility. He argues that although we may not possess the kind of free will that is normally considered necessary for moral responsibility, this does not jeopardize our sense of ourselves as agents, or a robust sense of achievement and meaning in life.

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